The opening reception is May 30th, from 6pm – Midnight. The event is FREE and open to the public. Live music and cash bar.
Eighteen Street Lounge DJ Tom B will be on the turntables.
The exhibition will run through June 15th.
For directions please visit www.nationalharbor.com/Drections.aspx . National harbor is also accessible by water taxi. Please visit www.potomacriverboatco.com for more info and schedules.
Mary Spring
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From ultimate pleasure to unbearable sadness, each expression communicates the profound casualties of insight. The integration of medium and mechanics with design and spirit, lead to the paradoxical enlightenment and anguish portrayed at the moment each stroke is applied.
Self-realization emerges from the artist as the feminine heart, the kinesthetic demands of performance and dedication, and the consequential strength are unveiled in each expression. Pain synthesized into passion. Time united with eternity.
Graham Franciose
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When I start a piece I generally have no idea what I am going to do. I just start with a freshly gessoed piece of wood and start drawing. I no longer use preliminary sketches. As I go, the lines I make dictate what I will do next. A certain shape of a face or expression will make me decide what to do with the body and eventually what the context will be. It is a very organic and spontaneous experience where the art kind of creates itself. When I am happy with the drawing I finish it off with oil and ink. I am not really sure where the ideas come from, I guess a mix of things I have seen, music I have heard, things I have felt, all homogenized in my brain and eventually realized in a different form. I don't really want to pin down the ideas I have, I like the mystery of it all. I am always somewhat surprised with a finished piece because I don't start with any preconceived final image.
Michael Crockett |
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The figure has always been the model for this idea from the beginning. The human form, without words, will react to it’s surroundings; physically interpreting its emotions. I can see in this gesture how our body’s have the ability to speak. I want to capture this language in my work.
I make many suggestions in my paintings that relate plants to humans. I see this more and more as I create work using floral designed paper. A certain flower or vine can also tell a story based on it’s appearance. When I mix these two subjects together they compliment each other in a way that delicately unites the personality of the figure with it’s mood. I am learning how to match the look of a flower in all of its varieties with the emotion I want to capture. I’m understanding the contrast in qualities that one plant form has to another. The marriage of a small, dainty petal with the eyes of a pale skinned female or the sharpness and uncomfortable edge of crabgrass with the sunken cheeks of a distressed figure. These possibilities feel endless to me. The relationship our forms have to the natural world is beginning to become one in my work.
Stand away from this new work and see the portrait for whom it is representing. Get very close to the portrait to see the layers of life hiding under its surface. I plant this idea into my work and will continue to help it grow. Please enjoy the show.
James Walker
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…..I grew up along the east coast, and a little bit in England. I’ve spent a lot of time moving around, and still do; a good change of scenery is always refreshing. I began my academic career in the arts at The Corcoran College of Art where I received my BFA. I then attended The Savannah College of Art and Design for my MFA and I’ve been enjoying a career as a teacher and freelance photographer for the past four years as well as exhibiting my work regularly, winning awards, and lecturing; here and there. Currently I reside in Northern Virginia and when I’m not making art I’m skating or hanging out with Brenna, my Border Collie..
…..my background is in photojournalism and I take a documentary approach to everything I do with my art. I’ve always felt that my most successful work are pieces that develop as a natural extension of existing. Conceptually my work comes from a frantic need to dissect the simulacra of the present moment and to be enveloped as completely as possible in every second of every day…..any reoccurring themes are simply a byproduct of this artistic process…..
Steven James Daily |
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These things had a huge impact on Steven’s life, and has become the subject matter, of his work. After graduating from Bolsa Grande High School, he attended Riverside Community College, and later transferred to Art Center College of Design in Pasadena. Propelled by the advice of a former professor, and a meeting with a Disney executive, Steven concluded that the time had come to become serious about his career as an artist.
Today, Steven’s work is extremely stylized, and his paintings are emotionally evocative. He has shown in numerous galleries nationwide. He has created a sizeable body of work. Mr. Daily is extremely busy these days, working on several exciting new projects, so you can expect to see much more from him in the immediate future.
DJ Tom B
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